The top half is the song written in Standard Notation and the bottom half is written in Tablature. As you can see below, there are two staffs connected together: If you buy a Guitar TAB book, you will likely see this format. Formal Guitar TAB like this or the below type is far more useful. This is why I recommend avoiding text-based Guitar TAB if possible. ![]() You may notice that there is a lot more information on this TAB compared to the text-based Guitar TAB from earlier. Websites like Songsterr use an interactive type of Guitar TAB that looks slightly different than text-based Guitar TAB.Īs you can see, the above Guitar TAB looks similar to the text-based Guitar TAB earlier, but is easier to read and uses different symbols. Simply changing the font will fix the format issues. If you see Guitar TAB like the below, it means the wrong font was used. Notepad in Windows has quite a few different fonts that work well with Guitar TAB. The font Courier New is the most popular font for writing this type of Guitar TAB. Be sure and visit Mike''s site at for news, CDs and more information.If you want to write Guitar TAB in this format, you need to use a specific type of font. Mike has studied with likes of Paul Gilbert, Norman Brown, Keith Wyatt, Stanley Jordan, John Hilton, Wayne Krantz and Bill Connors. That wraps up the lesson, be sure to make up your own examples and for more info visit Mike is an in-demand instructor with a number of recording, performance, TV and film credits to his name. In this example we change the top note to a G, which gives us a Am7th arpeggio and by changing the top note to F# creates a Am6th arpeggio. ![]() A cool way to add interest to your arpeggios is to change the top note. Here is a A minor 5th string arpeggio (A, C, E). These examples are great for developing your sweep picking technique. In this example we are moving the five string arpeggio up in minor 3rd intervals. This is a common shape and is fun to practice. In example 3 we will add the 5th string to our D major arpeggio. Be sure you follow the suggested fingerings.Įxample 2b is the same thing as the previous example, but now we are adding the 4th string. We are moving the D major arpeggio up in half step intervals, the pinky and index finger is sliding up each time we move to the next arpeggio. Example 2a is great way to practice sweeping. Make sure you are lifting off the left hand slightly after you hit each note so the notes don''t run together like a chord. This is a great one to practice, and is really useful. Here we have a D major arpeggio (D, F#, A). Let''s move on to three string arpeggios. Example 1a is the same arpeggio but we will be adding a pull off, this is a common way to play arpeggios. The right hand pick motion is just down, down, up continuously. This is a great way to develop your sweep picking, just using 2 strings. This first example is a two string G# minor arpeggio (G#, B, D#). I will be showing you some good ways to practice sweep picking and I will give you some musical examples. ![]() The tricky part of sweeping is getting the notes not to run together like a chord. Sweep picking is a popular technique among shred guitarists and it is used in many styles of music. This lesson I will be showing you examples to develop your sweep picking technique. Click here for high-resolution, printable tab.
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